She snorted. “Spoken like a Bolshevik. That’s not why I read. I’m sick to death of literature as medicine, literature as therapy, literature as politics, literature as the beacon of mankind. I couldn’t care what writers say about the so-called world. Why should they know more about it than I do? Does anyone really believe that a writer, by virtue of his profession, is honest or compassinate or even intelligent? Look at the lives of most writers, the best writers, they’re scoundrels and hypocrites. Start with Saint Leo. Why should his view on moral issues be instructive? And the proof of this is in the readers. Are they usually kinder than nonreaders? More moral? Are they more successful at life?”

"Peredelinko." Ken Kalfus.

Jimmy Gets High. Daniel Powter

I’m supposed to laugh at this song right?

(Source: Spotify)

ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
Zoom Info
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
Zoom Info
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
Zoom Info
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
Zoom Info
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
Zoom Info
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
Zoom Info
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
Zoom Info
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
Zoom Info

ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio

Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).

We go now live to Hunter Pence with today’s inspirational sports moment. Hunter?

#039

A rap album is inspired by and based on Nietszche’s Thus Spake Zarathustra.

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Just because Manuel Ruiz collapsed dead in the Texas heat didn’t mean two-a-days were cancelled. The boys wouldn’t have had it even if the coaches told them, and Manny would have spit asteroidal lugies in the face of such an outrageous decision. But the parents organized the protest anyway. They gathered together after they dropped their boys off with big cardboard signs in the school’s green and black lettering and fake nooses—apparently trying to amplify death to something archaic and gothic. And the boys tried their best to ignore their parents, as in every other aspect of life.

My latest flash fiction piece “The Cost of Global Warming is a State Championship” appears in East Coast Literary Review’s Fall 2014 edition which you can buy at the link above.

#038

A book is chosen at random. From the first ten pages the writer must only use the words contained therein to write an entire novel (minimum 50,000 words).

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How I Feel Watching ESPN Get All High And Mighty On The Jameis Winston Issue While They’re Trying to Simultaneously Hide Their Massive, Throbbing Sports Outrage Erections

image

Sure it’s a year old, sure the Rangers are long out of it, but…

RANGERS. WON’T. DIE!

As an American these are my only thoughts if Scotland votes for independence.

As an American these are my only thoughts if Scotland votes for independence.

Cole Beasley’s Wikipedia earlier today.

Cole Beasley’s Wikipedia earlier today.

Just a friendly notice for you all that the Rangers are currently on a 4 game win streak, their longest since mid-April.

Just a friendly notice for you all that the Rangers are currently on a 4 game win streak, their longest since mid-April.

#037

Play. A room is made to be as pitch black as possible. All light sources are extinguished after the patrons have found their seats. A one man play is performed. The setting is a man describing his experience in Hell. He keeps the audience for as long as he desires and says as much as he wants.

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#036

An entire novel is a palindrome.

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